an immortal masterpiece of Django Reinhardt: Nuages (Part two)

Nuages is a medium-slow in 4 / 4, in the key of G Major. Its structure is A-A ‘, each section 16 bars long.

The main motif is the six-quavers phrase (which then ends on a longer note, usually a half-note or more) and that is first found as an anacrusis at the very beginning of the song. This motif is presented again – at different heights and with different harmonic relationships – several times during the theme, but it basically includes a two-note ascending chromatic pick-up, followed by a descending phrase of the remaining four notes, almost always chromatic. The use of chromatic passages is one of the typical traits of Django Reinhard‘s phrasing, a result of his particular instrumental technique.

The song opens with a sequence of II-V chords leading to the one built on root of the key the song is in. Considering that G6 chord and going backwards, the sequence can be seen as a II-V chord progression (one chord per bar) in which every II chord is then considered as V7 / V (or secondary dominant) and to which a tritone substitution is then applied. Each dominant chord is then introduced by its relative II grade.

| | Am | D7 | G6 | …

| | A7 | D7 | G6 | …

(V7 / V)

| | Eb7 | D7 | G6 | …

(tritone sub.)

| | Bbm7 Eb7 | Am7 D7 | G6 | …

Alessandro Arcuri

Oncle Archibald

Transcription: Bossa Dorado, the beautiful gypsy bossa by Dorado Schmitt (part two)

Today I transcribed the first two choruses of  Bossa Dorado‘s A section, in which the improvisation takes place.

Actually, the party isn’t strictly improvised: if you listen to different versions of the same song, you may notice that Stochelo Rosenberg uses the same phrases, that have now become kind of his of musical signature.

Among them, the bichordal passages over minor chords and the fast quadruplet runs on minor and dominant arpeggios, that are quite common in the manouche guitar style.

Everything is also spiced up with a good dose of vibrato on long notes.

The video from which I got the transcript can be found: http://www.youtube.com/watch?v=IzIj7mm8stE

The transcript is, instead, here: Bossa Dorado AA first solo

Have fun

Massimo Valvasori

Oncle Archibald

Manouche music – part one

The Manouche People

Who are the Manouche

Within the vast and varied group of the Roma population there are different subgroups that  must be distinguished and whose mutual differences are to be found primarily in the different paths followed during the migration process that they endured during the centuries. It’s a sure thing, however, that the Roma people have many more similarities between them, rather than differences. Differences that are much more evident when they are compared with the so-called gadjè, that is to say the vast multitude of non-gypsies.

Regarding the Manouche, it is one of the first group of the Roma population that went to the Western Europe and settled. Already in the fifteenth century, in fact, we have several documentary evidence to certify their presence in France, and to date it is on French soil (in Paris and Ile de France in particular) that we find their highest concentration.

For instance, they had been spotted in 1419 in Chatillon-en-Dombes (today Chatillon-sur-Chalaronne) and in the province of Bresse; during the same year they spread throughout the whole Provence. Two years before a major band of gypsies (three hundred people) had crossed Germany from south to north and had reached Paris -at that particular time occupied by the British, since it was during the Hundred Years War- during August 1427, prompting an intense curiosity. According to contemporary evidence, the gypsies roaming in France in mid-fifteenth century were at least five hundred.

The Manouche are distinguished from other Tsigane for the history of their arrival in Europe. As already mentioned, to each Tsigano group corresponds a different migration pattern and different settling periods (more or less extended) in different countries. The Roma, for example, remained for a long time in the Danube surroundings, in Moldavia and Wallachia, in the territories of Romania and Hungary, while the Gypsies avoided the path of the Balkans and went to the Iberian Peninsula, passing through Egypt and throughout North Africa.

The Manouche, however -that may also be called Sinti- certainly remained in Germany for a long time before moving to France; their language, in fact, features a certain number of German words and often the surnames are German, as Reinhardt, Ziegeler or Rosenberg.

The Manouche have also been the victims of a cruel repression, just like the Rom and Gypsy brothers (the expert Scott McFire points out that between 1497 and 1774 one hundred and forty edicts against Tsigane were issued). They found themselves involved in centuries-old tensions between us, the stationary people. It’s also because of this that it is extremely difficult to truly understand their beliefs and customs, especially if you do not know their story exhaustively.

The difficulties arise primarily because of our extremely rich cultural background of prejudice and stereotypes against all “gypsies”, then because of their hostility against the outside world -towards the gadjè precisely- which leads them to conceal and treasure their traditions; a strategy that enabled them to pass all their knowledge only by word of mouth, thus preserving it through centuries of persecutions.

Luca Leimer

Oncle Archibald